He even uses the information that Rohit had told Kiran only because he felt that she had a right to know about her son's life against him. During the court battle, Kiran's lawyer Bhujbal ( Paresh Rawal) uses every possible trick to show that Rohit does not deserve the custody of his child. He sells his best songs at a very low price so that he can fight the custody battle. Rohit faces a tough time preparing for the case as his financial position is not as sound as Kiran's. A court case is eventually filed for the custody of Sunil Muthal. She tries to reconcile with Rohit but as luck would have it, Rohit is a proud man and misinterprets her support as her pity and things become worse. Meanwhile, Kiran becomes a huge film star. After some obvious teething troubles, Rohit succeeds in creating a separate world for himself and his son, Sunil. Now a loner, Rohit is forced to look after both his son and his own failing career. Time fails to abate Kiran's frustration until she decides to leave Rohit and start a new life all over again. However, after marriage, Kiran's ambitions take a back seat as she feels suppressed by her household responsibilities and looking after her son.
When Kiran's parents oppose their marriage, they decide to lead a separate life. They meet, relate to each other's sentiments, fall in love and get married prematurely. (Reviewed during its Australian premiere at the Indian Film Festival of Melbourne (IFFM).Rohit Kumar ( Aamir Khan) is an aspiring playback singer while Kiran ( Manisha Koirala) is an ambitious classical singer-in-training. But despite its flaws, I enjoyed the film, its soundtrack, and overall mood brought out by Jha and Khan. And then there is this scene where the duo rush off in their jeep without paying a dhabewala. I also felt Khan has lost her touch in acting or she was not putting much efforts. At times, you wonder what's so funny that the characters are laughing, and it's mostly the weird dialogues that seem artificial in this low budget setting. The writing is a bit off in some parts, but Hum Bhi Akele, Tum Bhi Akele manages to take off slowly. Off they go together and so forms a strong bond of companionship between them as the drama takes a romantic turn and gives food for thought about genderless relationships and the true meaning of love. There he meets Mansi (Zareen Khan), a lesbian who is getting ready to go and meet her flame in Himachal Pradesh. Because he lacks the courage to come out in front of his father, Veer (Jha), runs off to Delhi to find solace in his longtime lover who is married to someone else. I am a fan of Anshuman Jha, so I naturally enjoyed watching Hum Bhi Akele, Tum Bhi Akele (I Am Alone, So Are You), a drama about two homosexuals trying to find love in a world where homosexuality is still taboo.
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